{"id":514042,"date":"2022-11-23T06:00:00","date_gmt":"2022-11-23T05:00:00","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=514042"},"modified":"2022-11-23T06:00:00","modified_gmt":"2022-11-23T05:00:00","slug":"close-la-ou-la-rumeur-nous-separe","status":"publish","type":"post","link":"https:\/\/leregardlibre.sandbox-novadev.ch\/en\/films\/close-la-ou-la-rumeur-nous-separe\/","title":{"rendered":"\u00abClose\u00bb: l\u00e0 o\u00f9 la rumeur nous s\u00e9pare"},"content":{"rendered":"<p class=\"has-drop-cap\"><strong>En 2018, <em>Girl<\/em> avait \u00e9t\u00e9 couronn\u00e9 par trois prix sur la croisette. Le nouveau film du Flamand Lukas Dhont poursuit sa contemplation des bouleversements adolescents. Cette fois, par le prisme du regard d\u2019autrui. <em>Close<\/em>, la collision frontale de l\u2019enfance et du monde.<\/strong><\/p>\n\n\n\n<!--more Lire la critique (En libre acc\u00e8s)-->\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Close | Official Trailer HD | A24\" width=\"1000\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/6EJGnU2AmV4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>L\u00e9o (Eden Dambrine) et Remi (Gustav de Waele) sont des enfants ins\u00e9parables. Leurs vacances d\u2019\u00e9t\u00e9, ils les passent dans les champs de fleurs ou dans de vieux abris abandonn\u00e9s \u00e0 s\u2019inventer des jeux de guerre. La complicit\u00e9 des deux gar\u00e7ons est solaire, foudroyante. Mais cette \u00e9vidence devient suspecte dans le cadre scolaire. A la cantine, une fillette leur demande s\u2019ils sont amoureux. A la r\u00e9action, la rumeur circule. Comment cette amiti\u00e9 r\u00e9sistera-t-elle face aux jugements d\u2019autrui?<\/p>\n\n\n\n<p>Il y a quelques mois, une autre Belge l\u2019avait \u00e9voqu\u00e9: les \u00e9tablissements scolaires sont angoissants. Dans <em>Un Monde<\/em>, Laura Wendel explorait, \u00e0 hauteur d\u2019enfant, le labyrinthe des salles de classe et les espaces codifi\u00e9s dont il faut s\u2019accoutumer. Dhont choisit une approche similaire, mais c\u2019est l\u2019adolescence et l\u2019entr\u00e9e au lyc\u00e9e qui fait office de fissure.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Au plus pr\u00e8s de son sujet&nbsp;<\/strong><\/h3>\n\n\n\n<p>L\u00e9o est pr\u00e9sent dans chaque cadre: pr\u00e8s ou \u00e0 distance, la cam\u00e9ra suit les \u00e9mois d\u2019un adolescent qui prend conscience de la fin d\u2019une forme d\u2019innocence. Dans les contacts physiques avec la glace au hockey, dans la cour de r\u00e9cr\u00e9ation o\u00f9 il faut s\u2019int\u00e9grer, devant l\u2019incompr\u00e9hension des adultes. La col\u00e8re laisse place \u00e0 un sentiment de culpabilit\u00e9 et aux regrets face \u00e0 un \u00e9v\u00e9nement tragique qui bouleverse le cours d\u2019une p\u00e9riode d\u00e9j\u00e0 inqui\u00e9tante.<\/p>\n\n\n\n<form method=\"post\" action=\"https:\/\/newsletter.infomaniak.com\/external\/submit\" class=\"inf-form\" target=\"_blank\"><input type=\"email\" name=\"email\" style=\"display:none\"><input type=\"hidden\" name=\"key\" value=\"eyJpdiI6IlZXRVJGMlRGQUU2alNqUE81bitIUk5adnNVa0c4MllFTStzOHdHT1FQZ3c9IiwidmFsdWUiOiJIYzhwMUVCK1pTNnlhY3MyMmhuZlhReWJqemEwNk93blMxTjFHc0s2VHZrPSIsIm1hYyI6ImVhYTQ5N2I1M2NiYWE4NzBmNjk2NzgzYjliM2Y5NmYzM2E2ZmU3NGQxNTU1ZDFkMTU1MzY5NTdjYjE3ZTJmNTUifQ==\"><input type=\"hidden\" name=\"webform_id\" value=\"7291\"><style> .inf-main_3000311ca56a1cb93397bc676c0b7fff{ background-color:#f5f5f5;\npadding:25px 20px; margin:25px auto; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-content { margin-top:13px;} .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff span, .infmain_\n3000311ca56a1cb93397bc676c0b7fff label, .inf-main_3000311ca56a1cb93397bc676c0b7fff input, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-success p a { color:#555555;\nfont-size:14px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4{ font-size:18px; margin:0px 0px 13px 0px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff label{ font-weight:bold; } .infmain_\n3000311ca56a1cb93397bc676c0b7fff .inf-input { margin-bottom:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff label { display:block;} .inf-main_3000311ca56a1cb93397bc676c0b7fff input{ height:35px; color:#999999; border: 1px solid\n#E9E9E9; border:none; padding-left:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error label, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message{ color: #cc0033; } .infmain_\n3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error input{ border: 1px solid #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input input { width:100%;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error\nspan.inf-message { display: block; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit { text-align:right;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input{ background-color:#777777; color:#ffffff; border:none; font-weight:\nnormal; height:auto; padding:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input.disabled{ opacity: 0.4; } .inf-btn { color: rgb(85, 85, 85); border: medium none; font-weight: normal; height: auto; padding: 7px; display: inlineblock;\nbackground-color: white; box-shadow: 0px 1px 1px rgba(0, 0, 0, 0.24); border-radius: 2px; line-height: 1em; } .inf-rgpd { margin:25px 0px 15px 0px; color:#555555; } <\/style> <div class=\"inf-main_3000311ca56a1cb93397bc676c0b7fff\">\n<h4>NEWSLETTER DU REGARD LIBRE<\/h4> <span>Recevez nos articles chaque dimanche.<\/span> <div class=\"inf-success\" style=\"display:none\"> <h4>Votre inscription \u00e0 notre infolettre hebdomadaire a \u00e9t\u00e9 enregistr\u00e9e avec succ\u00e8s !<\/h4>\n<p> <a href=\"\/en\/\" class=\"inf-btn\">\u00ab<\/a> <\/p> <\/div> <div class=\"inf-content\"> <div class=\"inf-input inf-input-text\"> <input type=\"text\" name=\"inf[1]\" data-inf-meta=\"1\" data-inf-error=\"Merci de renseigner une adresse email\" required=\"required\" placeholder=\"Email\"> <\/div> <div class=\"inf-submit\"> <input type=\"submit\" name=\"\" value=\"S\u2019inscrire\"> <\/div> <\/div> <\/div> <\/form>\n\n\n\n<p>Avec <em>Close<\/em>, Dhont s\u2019inscrit dans la lign\u00e9e de ses compatriotes, les fr\u00e8res Dardenne. En t\u00e9moigne l\u2019aspect languissant et tressaillant des plans-s\u00e9quences o\u00f9 rien ne semble advenir, sinon les oscillations d\u2019un adolescent. Les mouvements imperceptibles de la conscience gardent leur opacit\u00e9. Reste la sensation l\u00e9g\u00e8re d\u2019un aller-retour que sugg\u00e8re le double sens du titre: d\u2019un rapprochement \u00e0 une occlusion.<\/p>\n\n\n\n<p><em>Ecrire a\u0300 l\u2019auteure: <a href=\"mailto:fanny.agostino@leregardlibre.com\" target=\"_blank\" rel=\"noreferrer noopener\">fanny.agostino@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n<p><strong>Vous venez de lire un \u00e9ditorial en libre acc\u00e8s.<\/strong>&nbsp;D\u00e9bats, analyses, actualit\u00e9s culturelles:&nbsp;<a href=\"https:\/\/leregardlibre.sandbox-novadev.ch\/en\/abonnement\/\">abonnez-vous<\/a>&nbsp;\u00e0 notre m\u00e9dia de r\u00e9flexion pour nous soutenir et avoir acc\u00e8s \u00e0 tous nos contenus!<\/p>\n\n\n\n<p>Illustration de couverture: Sc\u00e8ne de <em>Close<\/em> \u00a9 Menuet Diaphana Films Topkapi Films Versus Production<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/leregardlibre.sandbox-novadev.ch\/wp-content\/uploads\/2022\/11\/affiche_close.jpg\"><img decoding=\"async\" src=\"https:\/\/leregardlibre.sandbox-novadev.ch\/wp-content\/uploads\/2022\/11\/affiche_close-767x1024.jpg\" alt=\"\" class=\"wp-image-514045\"\/><\/a><figcaption>Affiche de <em>Close<\/em> \u00a9 Menuet Diaphana Films Topkapi Films Versus Production<\/figcaption><\/figure>","protected":false},"excerpt":{"rendered":"<p>En 2018, Girl avait \u00e9t\u00e9 couronn\u00e9 par trois prix sur la croisette. Le nouveau film du Flamand Lukas Dhont poursuit sa contemplation des bouleversements adolescents. Cette fois, par le prisme du regard d\u2019autrui. Close,la collision frontale de l\u2019enfance et du monde.<\/p>","protected":false},"author":1,"featured_media":514054,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[21],"tags":[456,640,90,144],"class_list":["post-514042","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-adolescence","tag-cinema-belge","tag-critiques-cinema","tag-enfance"],"acf":[],"_links":{"self":[{"href":"https:\/\/leregardlibre.sandbox-novadev.ch\/en\/wp-json\/wp\/v2\/posts\/514042","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/leregardlibre.sandbox-novadev.ch\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/leregardlibre.sandbox-novadev.ch\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/leregardlibre.sandbox-novadev.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/leregardlibre.sandbox-novadev.ch\/en\/wp-json\/wp\/v2\/comments?post=514042"}],"version-history":[{"count":0,"href":"https:\/\/leregardlibre.sandbox-novadev.ch\/en\/wp-json\/wp\/v2\/posts\/514042\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/leregardlibre.sandbox-novadev.ch\/en\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/leregardlibre.sandbox-novadev.ch\/en\/wp-json\/wp\/v2\/media?parent=514042"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/leregardlibre.sandbox-novadev.ch\/en\/wp-json\/wp\/v2\/categories?post=514042"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/leregardlibre.sandbox-novadev.ch\/en\/wp-json\/wp\/v2\/tags?post=514042"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}